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My work explores the fluid boundaries between reality and perception, often using formal experimentation, metaphoric narratives and surreal elements to make the intangible—memory, fear, longing, and transformation—feel physically present, focusing on feeling over explanation. Interdisciplinary collaboration too plays a key role in my work, particularly my fascination with dance, where the body's movement is crucial to the character's expression. My experience of immigration has shaped my perspective on belonging, distance, and transformation and brings estrangement as a recurring theme in my work.
Country: Mexico
Webpage: http://rosanacuellar.com
Rosana Cuellar is a Mexican Filmmaker based in Hamburg known for her surrealistic film style. Her journey in Film began in CENTRO Filmschool in Mexico and continued in the University of Fine Arts in Hamburg, Germany with Prof. Wim Wenders. Her experience of different countries and approaches to film resulted in an amalgam of styles visible in her films . Her film A Woman Named Yssabeau was selected for the International Competition Program of Berlinale. She developed the script for her first long film Popping the Question with a grant from the NRW and the Wim Wenders Foundation. In 2024 her shortfilm Tender Cords, developed with the support of MOIN filmförderung premiered in Shanghai International Film Festival.
Developed with the support of the Wim Wenders Foundation, Popping the Question is a screenplay set in 19th-century England about two sisters from the countryside, Fiona and Stella, who, mesmerized by a traveling salesman, move to the city and open a bakery that quickly becomes an overwhelming success. The secret behind their coveted pies lies in the rosemary leaves that sprout from the love wounds on Fiona’s body. But as demand outgrows supply, Stella is faced with an impossible choice: sacrifice her sister or risk losing everything in a ruthless, hyper-capitalist society.
Daddy stands on the rocky platform overlooking the precipice from his laboratory in the Lichtenstein Castle. With his hair caught in the wind, he gazes over the landscape at his feet. Relishing his vast dominium over nature, he arduously works his manhood to procure the raw materia for his experiment. As he reaches completion, Suzzie, in a full blown meltdown breaks into the room. “ God damn it Suzzie! I’m woking!” he yells, as he hurriedly fits a handful back in his pants. The 30 something bombshell of a lady sobs all the louder and storms out of the room. Uncaught, the semen flies down the cliff and splatters on the rocks. Unknowing to all, by a strange mixture of wind and minerals, it transforms into the homunculus Daddy has struggled so long to create. In the form of a rock-man, the homunculus starts to climb the cliff to one day meet his maker. In the meantime, inside the castle, Suzzie the bombshell, Markus, the cynical philosopher, and Zeus, the beautiful teenage boy, -aka the family’s pet- and a couple more even and odd characters, try out the rules of the different roles they play amongst themselves, of brother, mother, sister, lover, woman, man, bartender, in this transgressive and dysfunctional family, unrelated by blood.