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My work is primarily driven by emotion and the inner states of my characters rather than by plot. I’m interested in stretching certain feelings or psychological conditions across the duration of a film, allowing atmosphere and performance to carry the narrative. As a highly visual filmmaker, I approach the camera as an expressive presence, using composition and movement to reflect the characters’ internal worlds and emotional landscapes.
Country: Israel
T-Port Partner: TalentBridge – Cannes 2026
Bilal Safadi (1997) is a filmmaker from Majdal Shams in the occupied Golan Heights. He was born in Damascus to a Syrian mother from Sweida and a father from the occupied Golan Heights. He graduated from the Film & Television Department at Tel Aviv University and holds a professional diploma in photography from the Technion. His work draws on personal memory and lived experience, shaped through restrained narratives and an emotionally charged visual language. He has worked across directing, cinematography, editing, art direction, and sound, contributing to numerous student films and documentary projects, including works broadcast on Al Jazeera. Alongside his film work, he has experience as a theatre performer in productions staged across Israeli & Palestinian cities. In 2026, he was selected for the T-Port Talent Bridge at the Cannes Film Festival, where he began developing his debut feature, Far' Falastin (235). The project was subsequently selected for the Doha Film Institute Feature Script Lab 2026 and the Film Talent Academy First Feature Lab at the Linz International Short Film Festival 2026.
Based on a real story of Laila, a journalist from the occupied Golan Heights, who enters Syria for a single day to attend her father’s funeral. Before she can leave, she is held for a security interrogation at Far’ Falastin ( Branch 235) due to her critical writing on the Assad regime. Inside, an officer begins to unravel her words and personal history. As the questioning deepens, the exchange between them grows less predictable, shifting in ways neither fully controls. Gradually, the interrogation reaches beyond her, carrying consequences outside the room. The script is currently being developed at the Doha Film Institue Script lab 2026.