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Curator Statement / Laurence Boyce

My Lighthouse selection for 2023 perhaps illustrates the many facets that I love about the medium of short film.  Features tend to drift to the arena of the melodramatic: “You only have 2 seconds to live,” “The meteor is heading towards the Earth,” “I am secretly your Uncle.” Those types of things. But life is often predicated on the small. The almost imperceptible. A comment here. A gesture there. These tiny moments which still shift the momentum of a life. Shorts shine a light on these occasions, and let us interrogate how they ripple with importance. How our lives are full of ‘little earthquakes’

The films I have chosen are positively shaking with all these aforementioned tremors. Brief encounters which fizzle with energy and life. Exchanged glances and stolen words that speak of longing and desire.  Small incidents which changes one perception of life forever. But they way in which these films deal with these are all wonderfully different. Some head down a more serene, realist route. Others take a bold and provocative stance as they head towards the valley of absurdity. All are equally valid, showing the vitality of the short film medium.

It almost goes without saying that  these films display innovation, experimentation, humour, drama, all handled by filmmakers (and crews) of immense talent. Some are known on the festival circuit and have already garnered praise and plaudits. Others are still waiting for the flowers that they richly deserve. But all take us on a journey into great cinema, revealing more about the world we live in and – given that said world can be a scary place sometimes – reminding us that we are not alone.

TLDR? Short films continue to be amazing.

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About the curator

Laurence Boyce was born in Leeds, UK and began his career in 1999 as a programmer and moderator for the Leeds International Film Festival.

He relocated to Tallinn, Estonia in 2010 and works for the Black Nights Film Festival. He has worked as both a programmer for the festival’s main competitions as well being the Head of Programme (Live Action) for PÖFF Shorts, the short film section of the festival.

He is also an award winning film journalist who writes for numerous publications amongst them Screen International, Sight and Sound, Yellow Bread Shorts, Little White Lies and Cineuropa.

He is a member of FIPRESCI, the London Critics Circle, the European Film Academy and BAFTA.

He is currently the chairman of the board of the Short Film Conference, a network of short film organisations from across the globe.

A Day, That Year

9 min.

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A Tortoise’s Year of Fate

20 min.

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As If Mother Cried That Night

19 min.

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Chewing Gum

29 min.

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FÁR

5 min.

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For people in trouble

16 min.

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Novy God

24 min.

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Slow Down The Fall

20 min.

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The Age Of Innocence

20 min.

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The other end of the street

22 min.

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The school is on fire and we know why

25 min.

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Time Out

19 min.

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